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…ctx) (cond ((<= (ly:pitch-semitones pitch) 1) ; Note too low (markup #:sans "U")) ((>= (ly:pitch-semitones pitch) 27) ; Note too high (… …pitch) 13) (markup #:sans (note-name->markup pitch #f)) (markup #:sans (#:center-column (#:pad-around 0.6 (note-name->markup pitch #t) "+"))) ) ) ) ) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % Example code begins % music = { \key d \…

…make-musicglyph-markup "scripts.dpedalheel")) (upedalheel (make-musicglyph-markup "scripts.upedalheel")) (heelcircle (markup #:draw-circle heelcircle_radius markthickness #f)) (broken (make-filled-box-markup (cons (… …list (make-raise-markup fc_vshift (make-general-align-markup Y DOWN x)) (markup #:path guidethickness gpath) (make-lower-markup (+ fc_vext fc_vshift) (… …pedal_marks_demo" #(set-global-staff-size 14) \header { tagline = \markup { } % Turn off Lilypond footer } toccata_ending = \relative c' { % …

…##t \override Stem.transparent = ##t g4( a) g^\markup { "divisio minima" } \divisioMinima g4( a) g^\markup { "divisio … …a) g^\markup { " finalis" } \finalis g4( a) g ^\markup { "virgula" } \virgula g4( a) g ^\markup { "caesura" } \caesura g4( a) g } \new Lyrics \lyricsto "" { …

…c' { \set Staff.instrumentName = "Violin I" e1 | f_\markup { \postscript "0.6 setlinewidth 1 -0.5 moveto … …5 moveto 0 -10 rlineto stroke" } a1 | b_\markup { \postscript "0.3 setlinewidth 1 setlinecap [0 1.… …1 moveto 0 -11 rlineto stroke" } c1 | d-\markup { \postscript "0.3 setlinewidth 1 setlinecap [0 1] …

…#'(clef) \key a \major \clef treble \mark \markup { \char ##x2193 } e1 % the RehearsalMark will be centered … …Score.KeySignature.break-align-anchor-alignment = #RIGHT \key a \major \mark \markup { \char ##x2193 } e1 % the RehearsalMark will be aligned … …Score.KeySignature.break-align-anchor = #1 \key a \major \mark \markup { \char ##x2193 } e1 }

…di.unimi.it/LSR/Item?id=655 odbolTagline = \markup { Music engraving by \italic { Score Your Music } (url.… …header { title = \markup { \center-column { "Three-Part Inventions" \null } } subtitle = \markup{ \fontsize #5.0 "Sinfonia 7" } composer = "Johann Sebastian Bach" copyright = \markup { \center-column { "Music in the public domain" } } tagline = \odbolTagline } \…

…unimi.it/LSR/Item?id=658 %%------------------------------------------ EADGBE = \markup { \fontsize #-4 \override #'(baseline-skip . 1.5) \column \… …C F D Bb F> \set TabStaff.instrumentName = \markup { " " \strangeTuning } \set TabStaff.shortInstrumentName = \markup \strangeTuning f, bes, d fis c' d' } >> %%------------------------------------------------

…g | c,1 | } global = { \time 2/2 } dot = \markup { \raise #0.7 \musicglyph "dots.dot" } tick = \markup { \… …Staff \remove "Time_signature_engraver" } } } % End score } } % End markup \markup { \fill-line { \column { \left-align { \null \null \null \line { \fontsize …

…di.unimi.it/LSR/Item?id=750 % correct markup for "b" and "#" (use symbols from current … …chordFlat "5" } } <c e g bes dis'>-\markup { \super { "7/" \chordSharp "9" } } % ... define all other possible … …new accidentals) \set chordNameExceptions = #myPopChordsAdd % use our new markup chord naming functions to get the new accidentals \…

…bar "||" \break \override Score.BarNumber.break-visibility = #begin-of-line-visible e1 ^\markup \teeny "default break-visibility" e e e e e … …available with version 2.16.0 and higher: % \markup "#first-bar-number-invisible-save-broken-bars" \score { { \set Score.barNumberVisibility = #first-bar-number-invisible-save-broken-bars \music } } \markup "#first-bar-number-invisible-and-no-parenthesized-bar-numbers" \score { { \set Score.barNumberVisibility = #first-bar-number-invisible-and-no-parenthesized-bar-numbers \music } } }