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…argument. For example \keys #'(c e g bes) wil create a C7 chord So far the … …this cnine=\markup\keys #'(c e g bes d') and be used like this \relative c' { < c e g bes d' >^\cnine }

…aes . 5.5) (a . 6) (ais . 6.5) (bes . 6.5) (b . 7) (c' . 8) (cis' . 8.… …cnine^"C9" r r2 r1 <c ees g bes d>4^\cmnine^"Cm9" r r2 r1 <c bes' d ees g>4^\cmninealt^"Cm9" r r2 }

…pitch pitch-change. Transposition uses your defined pitches: \transpose bes, c \music takes the difference between your pitch bes and your pitch c and shifts every pitch …

…-1 6 DOUBLE-FLAT)) (beseh . ,(ly:make-pitch -1 6 FLAT-LOWER)) (bes . ,(ly:make-pitch -1 6 FLAT)) (besih . ,(ly:make-pitch -1 6 … …Clarinet" \concat{"in B"\flat}} midiInstrument = "clarinet" } { \transposition bes \transpose bes c \notes } >> \layout{} \midi{}}

…be changed to german (\germanChords replaces B and Bes with H and B) or semi-german (\semiGermanChords replaces B and Bes with H and Bb).

…c1/c | cis/cis b1/b | bis/bis | bes/bes } \layout { ragged-right = ##t \context { \ChordNames \consists "Instrument_name_…

…they have to be additionaly transposed by \transpose bes c' {...}). To see the original pitches, you may …

…key f \major } FltPitches = \relative c'' { c d bes c } TrpPitches = \relative c'' { c d bes c } … …Flute" \MyTranspose { \Basekey \FltPitches } } Trp = \new Voice \transpose bes c' { \set Staff.instrumentName = #"Trumpet" \MyTranspose { \Basekey \… …Flute" \MyTranspose { \Basekey \FltPitches } } Trp = \new Voice \transpose bes c' { \set Staff.instrumentName = #"Trumpet" \MyTranspose { \Basekey \…

…gis> <c es ges> \break <c e g bes> <c es g bes> <c e g b> % … …e g b fis'> % Lydian <c e g bes des' ees' fis' aes'> % altered chord } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % alternate Jazz … …super "o" } % should be $\circ$ ? <c es ges bes>-\markup { \super \combine "o" "/" } <c es ges …

…of a beamed sequence: bes32\p\>[ ges d' bes, c' ges a ges \!] % When the factor is … …c' ges a ges \!] bes32\p\>[ ges d' bes, c' ges a ges \!] % The \featherDurations function just … …beams: \featherDurations 6/4 { bes32\p\>[ ges d' bes, c' ges a ges \!] } } % Reference rhythm to compare …

…the Option 'Keep Dialog' AccordionTabTwoCBesDur = { % pull 1 %<f' bes'>8 <f' a'>8 <d' bes'>8 | <g'' … …melodyVoi" { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 } \bar "|." } } staffAccordionMel = \new Staff \with { \remove "…

…key es \major \override DynamicLineSpanner.padding = #2.5 <bes es g>8\ppp <bes es g> <bes … …of system \override Staff.Clef.break-visibility = #end-of-line-invisible << { \voiceOne bes'8\rest \clef treble as16( c as8) as16( c as8) as16( c) bes( d bes8. d16) bes8.( d16 bes8) } \new Voice { \…

…Associated note: "dis" "fis" "ais" "b" "ees" and "bes" are allowed instead of "dis" and "ais") When …

…fis") Rfore-str-filled Rfore-str) (if (or (pressed? "ais")(pressed? "bes")) Rfore-str-filled Rfore-str) (if (pressed? "b") Rfore-str-filled Rfore-str)) "")) (begin (…

…2 | a'4. a'8 a'4 a' | bes'4 g' a'2 | c''2 f''4 … …bes,4 c f2 | f4. e8 d4 c | bes,4 c f2 | f2 bes,4 d | f2 e4 f | g2 f | c1 | } \…