…of a tuplet. This can be done with markup, using postscript inside. So you can use the sample markup template and adjust
tupletToSixteenth = \markup { \hspace #-3.5 \vspace #8 \concat { \postscript "-4 …
Results 81−90 of 359 for markup |
…define-public (banter-chordnames pitches bass inversion context) (old_chord->markup 'banter pitches bass inversion context)) #(define-public (jazz-chordnames … …-\markup { \normal-size-super "sus4" } <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" } } epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \…
…subtitle = "Zu Heinrich Joseph v. Collins Trauerspiel" subsubtitle = \markup { \large \bold "Coriolan" } opus = "Op. 62" piece = \markup { \… …c1 c } violoncello = \relative c { \set Staff.instrumentName = \markup \column { "Violoncello " "e" "Contrabasso " } \set Staff.shortInstrumentName = \markup \column { "Vc. " "Cb. " } \clef bass c1 c } \paper { …
…2. "The-Coda-No-New-Line Layout" (\theCodaRMark) %%% Definitions %%% =========== %% Glyphs %% ------ theSegnoGlyph = \markup { \musicglyph "scripts.segno" } toSegnoGlyph = \theSegnoGlyph toCodaGlyph = \markup { \musicglyph "… …override Score.RehearsalMark.break-align-symbols = #'(clef) \theCodaRMarkSize \mark \markup { \theCodaGlyph } } %% "The-Coda-On-New-Line": define position of "The Coda"… …use \doIndentTheCoda or \dontIndentTheCoda to your liking } %} % !!Off!! %%% Markup for textual D.S. display %%% Choices are: \DSCodaTextCenter \…
…black % 1 % % A chord for ukulele. a'1^\markup \override #'(fret-diagram-details . ((string-count . 4) (dot-color . white) (finger-code . … …open 1)) % 16 % % Simple D chord. d'1^\markup \override #'(fret-diagram-details . ((finger-code . below-string) (dot-radius . 0.35) (… …D chord, large top fret thickness. d'1^\markup \override #'(fret-diagram-details . ((finger-code . below-string) (dot-radius . 0.35) (…