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The english naming of chords (default) can be changed to german
(\germanChords replaces B and Bes with H and B) or semi-german
(\semiGermanChords replaces B and Bes with H and Bb).
You can alter the number of stems in a beam. In this example, two sets of four 32nds are joined, as if they were 8th notes.
The print-function can be overridden to draw a box around an arbitrary grob.
Beam positions may be controlled manually, by overriding the positions setting of the Beam grob.
The eighth notes may be seemingly attached to different beams, and the corresponding notes connected by ties. Such a situation may occur, for example, in the cello suites.
If you would like the bar numbers to appear at regular intervals, but
not starting from measure zero, you can use a context function,
set-bar-number-visibility, to set automatically
barNumberVisibility, so that the bar numbers appear at regular
intervals, starting from the measure in which
set-bar-number-visibility is set using \applycontext.
Time signatures may also be engraved in an old style.
In figured bass, specially designed glyphs for 6\\,
7\\, and 9\\ are used by default. Similarly,
specially designed glyphs for symbols 2\+, 4\+, and
5\+ are used by default if plus signs appear after the number.
To change that, pass an alist to figuredBassPlusStrokedAlist and
set the glyph in question to #f (or omit it).
There are many types of bar lines available.